IF the story of Emma Ford’s life in falconry reads like something that would be convincing as the theme of a Disneyworld ride, then so be it. Here’s how the falconry fairytale happened: “My parents had divorced and I was living with my mother in a little cottage at Chilham Castle, and I would look out of my window every morning and this guy would be galloping past in armour, with a lance, on a black Andalusian stallion.

That was Steve, my future husband, who was with the Jousting Association of Great Britain then, and they had arrived to be based at Chilham Castle. It wasn’t long before I met him at a medieval banquet.

I had taken my hawk to demonstrate and it turned out Steve was a falconer, too. He was 19 and I was 14. We got married when I was 17.”

Hardly surprising, when your boyfriend really is a knight in shining armour. But Emma then had to knuckle down to the “ever after” – less Disney and more jolly hard work. She explains, “We were determined to carry on with falconry, but when we started out it was tough, and I used to think I would have more time to fly my hawks if I took a job as somebody else’s secretary.”

But Emma and Steve persisted, and now, 25 years later, they have a falconry school based at Gleneagles Hotel and another falconry school in Vermont, USA. “Yes, we are still working together and we are very lucky. We are never bored; we always have so much going on. The most important thing is every August, when we rent a grouse moor and we go away with our falcons and our pointers and have a working break. We are on the hill every afternoon flying our peregrines at grouse. It doesn’t get better than that.

“That is what keeps falconry magical. I carry the cadge, which is the frame the hawks sit on, and Steve works the dogs. The pointers go on point and we unhood whichever peregrine we are going to fly. The falcon needs to have reached about 200ft in elevation for its stoop to be successful. So we let it gain height while the dogs hold the grouse on point. We work our way round, and when the moment is right we’ll flush the grouse. And the peregrine falcon stoops. That’s what it’s all about – that’s what you go out for, to see the stoop. We don’t actually get that many grouse. In the wild, peregrines only spend about two minutes a day hunting on average. A few times we have had a wild one come over higher than ours and we have had a double stoop. We fly our own falcons like wild birds, so to see a wild one joining in and performing is amazing.

“For pure spectacle and overall flying, the peregrine has to be ‘it’, over any other falcon or hawk. You are pitching a peregrine against a grouse and it is a natural thing. And it’s very far from one-sided. The grouse are brilliant fliers, too, and you see them doing the most amazing things. They will put the brakes on mid-flight and drop like a stone into the heather, and then explode out of it again as the peregrine has over-flown them. It’s a Top Gun manoeuvre.”

Top Gun, Disney – does Emma feel her life is like something out of the movies? “Well, the teaching side of things keeps us pretty busy. We use Harris hawks at the Falconry School because they have good temperaments and like people. Every time you see someone have a hawk fly to their gloved fist for the first time, it is pretty special. And, of course, Steve and I are together, doing what we love best. “

Cue the fairy-tale falconry ending.

 

  • Robert Hallmann

    Hi, I was there at the beginning of the fairytale, in fact I remember taking the wedding pictures. I photographed Stephen as a knight and a falconer and Emma with her hawks down at Chilham in Kent. One picture of her was published in the Telegraph and it got the two of them an invitation to the Sheik of Abu Dabi, I believe, to share their falconry skills in Arabia. At the time I was illustrating books for Batsford Publishers, mainly British landscapes, so I mentioned my falconry pictures and they suggested two books, one a small picture book. I didn’t have a clue about falconry, I only liked the idea of it and the visual possibilities and it made a break from working in London. When I was asked to write the words I suggested Emma. ‘Faconry in Mews and Field’.
    I got a chance to accompany a client to the Far East and made a side trip to Mindanao in the Philippines, where a young American Ron Krupa worked at preserving the endangered Philippine Eagle Pithecophaga jefferyi and a few pictures made it into Emma’s book. They haven’t looked back since.
    Great pictures still. Might make a great nostalgia story? Ask Emma and Stephen? Now I am writing books myself, but on history.
    Greetings, Robert Hallmann